![]() this means you are limited in how you can use multiple modulation sources, as you cannot tune in the effect correctlyĮ.g. One 'problem' I have with Aalto (and Ive mentioned before )) is the modulation amount is per input. ![]() z sometimes also does this, so when you push in it accents the notes. then y, i often use to drive timbre/cutoff, to brighten the sound. (you need to use velocity,envelopes if you want punchy). ![]() What I tend to do is control level directly with z,(usually with LP enabled) this leads to subtle control, as the SP is relatively 'slow'. One thing, I like, is whilst all my patches sound different, I like them to behave in a similar way ,this (for me) makes the SP feel more like an instrument, because it has a 'character'. Ableton Live - a pain, need to use track per channel or audioīTW: Id really recommend checking out UVI Falcon, its turned into a powerhouse for MPE controllers :)įri, Jan 13, 2017, the soundplane (and other expressive controllers), I tend to keep patches simple, as much of the character comes from the player thru the controller.Logic Pro X - can host VSTs very well, and some built-in synths are multi channel, but no recoding facility, need to use track channel or audio.Cubase Pro (possibly Artist) - per note expression.(ok, none are strictly compliant yet, but very close) MPE Compatible Futuresonus Parava (hardware -I don't have it).Oscillot (M4L, Ive a modular for this if anyone is interested). ![]()
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